Dating buescher saxophone

The style and mechanisms of the Buescher are similar to those of Conn, so I never had a problem playing them.In fact, in terms of sound, vintage Bueschers are among the best saxophones out there as far as I'm concerned. The Buescher Tru-Tone production run was from the mid-twenties until about 1930 or so, when they made the transition to the Aristocrat models.It had some similarities to the Conn M series, minus rolled tone holes, and whereas the "Naked Lady" of the Conn M series could be bawdy, the Aristocrat seemed a bit more refined.

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Buescher saxophones are noted for their rich and smooth sound.

Sigurd Rascher, the well known classical saxophonist, author and teacher played a Buescher Tru-Tone throughout his playing career, and in jazz, Johnny Hodges sweet and soaring tone was played on a series of Bueschers, most notably an Aristocrat and a 400.

In 1904 he once again opened his own factory in Elkhart.

Martin saxophones are sought-after collectibles, but very underrated in the vintage market, which is good for the buyer.

In 1894 Gus Buescher left Conn to start his own company, The Buescher Band Instrument Company.

For many years, Buescher saxophones, as well as their other brass and wind instruments, competed well with Conn, Martin, King and Selmer.Sonny Rollins also played a Buescher Aristocrat tenor early on such recordings as "The Bridge".Later on, Selmer bought the company and that ended their production of high quality professional horns.In the 1980's, King tried to market a Super 21 model, and several prototypes were made, but the market wasn't there so it was discontinued.The Martin company was first founded in Chicago in the 1860's, but when a fire destroyed the factory, John Henry Martin moved to Elkhart, Indiana where he became a foreman for Conn.Although, as the chart below illustrates, the Mark VI was produced until (roughly) serial #378000, this applies only to the Sopranino model.

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